Yes Ho Ho Ho Santa Sickos Christmas Premium Shirt
Rob played a good long game. For months after he and I moved in together, I wouldn’t unpack all my boxes, in case I had to make a quick getaway. Eventually, he called this out. “It makes me feel like you’re not committed to this relationship when you won’t unpack your stuff,” he told me. “It makes me think you’re only here temporarily.” I apologized, but the boxes didn’t move. He changed his tack: “Okay, how about we tackle just one box this weekend?” Learning to ignore that old fight-or-flight instinct—to build endurance and set new neural pathways—hasn’t happened on its own. It took therapy, both on my own and with Rob; a few guided psychedelic sessions (great for letting go of built-up resentments); and filling my life with more activities and engagements outside of my marriage—volunteering with seal and sea lion rescues, writing, seeing friends, dropping in at book signings, taking classes—to understand how I could stick to a partner without losing touch with who I was and what I wanted. Some of that related to how my husband and I operated as a couple; other parts began and ended with me.Yes Ho Ho Ho Santa Sickos Christmas Premium Shirt
I also finally discovered how deeply comforting it is to be known by someone over time. Rob and I have blended our families and shared in the lives of our respective children. He’s been there for the moments of triumph and the disappointments—including when I was navigating open-heart surgery and a long recovery—just as I have for him. There is an undeniable solace to sharing a life with someone and building that bond, having that witness to the events that have shaped it. I could easily have missed all of that. Some people divorce in order to find themselves, and I tried that. For others, the most radical thing you can do is stay married. “People I met in Mexico is a photo series I shot in November 2024 when traveling in Mexico. From the Maya Riviera, I crossed half of the country to La Ciudad de Mexico, through Chiapas and the state of Oaxaca. Mexico has a very strong cultural identity that is not always legitimate to approach. People I met in Mexico is a glimpse of the people and nature I encountered, and of how strong I felt the connection in between them, from my very own European point of view.” Alexandre Ean is a French photographer based in Paris. Apart from fashion (Numero, Marie Claire, Cap74024…), Alexandre shot reports for Libération, Le Parisien, So Film… His story Nouvelle École, featured in both fashion magazines and newspaper in 2020, explores how fashion staging can be a way of celebrating people who are not part of the industry. This is one of the main purpose of Alexandre’s work. Movie fan and literature enthusiast, he is now also working on cinema projects and publications mixing photography and writing.
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