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Farresin says they want participants to come away with a “sense of critical awareness.” “How design and systems shape who can move, what can circulate, and under what conditions,” he explains further. “We also hope to foster a sense of shared responsibility—that these systems are not neutral, and that design can play a role in either reinforcing or rethinking them.” The curation of speakers is intentionally wide-ranging and cross-disciplinary, spanning design, ecology, digital theory, architecture, and activism. “We approached the curation as an invitation to tension and friction,” explains Farresin. “Our goal was to create a space where disciplinary boundaries could dissolve, and new questions could emerge.”Wsqk The Squawk 94 5 Fm Hawkins The Upside Down Shirt
Alice Rawsthorn, Nelly Ben Hayoun, Andrea Trimarchi, Giacomo Abbruzzese, Simone Farresin, Natalia Grabowska at Prada Frames. British design critic and author Alice Rawsthorn has been a part of Prada Frames since its inception. This year’s theme, she agrees, “is such an important part of our lives, but is rarely discussed from a design perspective. Prada Frames is always brilliantly cast with great speakers, exploring an eclectic range of issues,” she continues. “Every year I learn more about design and its impact on our lives from them.” As always, Mrs. Prada herself plays a foundational role in the project. “From the beginning, she encouraged us to build Prada Frames as a content-first platform, without compromises,” says Farresin. “She has never seen this as a marketing exercise, but rather as a cultural project rooted in research. Her trust in the public’s intelligence—her belief that people are capable of engaging with complexity—is rare and deeply meaningful. We’ve learned a great deal through this collaboration. It’s the kind of working relationship where learning itself becomes the measure of value.” At this year’s Salone Del Mobile, Formafantasma also presented Staging Modernity, a theatrical performance and installation with century-old Italian furniture firm Cassina and director Fabio Chersitch. (Jil Sander provided the costumes.) It took place within the breathtaking Milanese opera theater, the Teatro Lirico Giorgio Gaber. “It pays tribute to Modernist ideals while questioning their relevance today, inviting reflection on a more natural and ecological vision of design,” says Trimarchi. “It’s a continuation of our broader exploration of how objects and systems are interconnected.”
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