We Deserve Better Psyops 2026 Tee Shirt
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Forget about your East-West shoulder bags and your belted bags! Allow Jennifer Lawrence to persuade you that the bowling bag is the purse du jour. On Mother’s Day, the actor was spotted in New York City dressed in a low-key look. She opted for a blue crewneck Issey Miyake Ne Net x Playset graphic tee with a cat across the front of the shirt, which she paired with relaxed black wide-legged trousers that covered most of her shoes. (Though, it does appear that she owns multiple colorways of embroidered mesh mules, this time wearing a black pair.) An expert accessorizer, Lawrence layered a heap of necklaces, including a thick silver choker and a long lariat. But the real star of the show was her bag: a mustard leather bowling bag with light brown straps and piping detail. Barely visible was the Loewe anagram logo. A longtime fan of the brand, Lawrence has no shortage of Loewe in her wardrobe, from her Puzzle tote to her “I Told Ya” tee. But this bag appears to predate Jonathan Anderson’s tenure, seemingly a vintage pick. (A similar duffle iteration of the bag is currently going for $1,850 on eBay.) While Jennifer Lawrence’s Loewe bag isn’t as ubiquitous as the Puzzles, Flamencos, and Squeezes, she reminded us of our bowling bag obsession—and that can come from anywhere!We Deserve Better Psyops 2026 Tee Shirt
When Sean Baker’s Palme d’Or winning, small-budget, indie-darling-that-could, Anora, scooped the best-picture Oscar, many awards-season prognosticators pointed to Parasite, Bong Joon Ho’s razor-sharp South Korean satire, which had also ridden the wave from Cannes to the Academy Awards some five years prior. With these two examples in mind, you’d be forgiven for thinking this was always the way—of course the film garlanded at the world’s most prestigious film festival would go on to collect the most golden statuettes, right? Well, that certainly seems to be the case now—but it wasn’t for much of the 20th century. Most of the earliest best-picture Oscars, across the ’20s, ’30s and early ’40s, were handed to grand, sprawling American productions—Gone with the Wind, Casablanca—while the first Cannes Film Festival, held in 1946, had a distinctly international flavor, with French, Italian, Indian, Mexican, Swiss, Swedish, and Danish productions presented alongside British and American ones. Of the 11 films jointly selected to win the Grand Prix, the precursor to the Palme, that year, one, Billy Wilder’s agonizing The Lost Weekend, did, in fact, go on to win the Academy Award for best picture—but that feat wouldn’t be repeated for another decade.
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