We Almost Always Almost Win Funny Football Fan Shirt
The Kills frontrunner Mosshart says, “NO SLOW SONGS—Feels personal. Too personal to really want to talk about. I tend to write songs and paint paintings so that I don’t have to talk. The work is the narrative. It’s full of questions and riddles and confessions. Sharing your art with the world is a naked act. It’s a crazy thing to do. Making it is a lot like blacking out.” In celebration of the opening, an influential mix toasted LALO tequila cocktails and listened to the duo discuss the inspiration behind the collaboration and their journeys as creatives. Damian Lewis, David Broza, Laura Prepon, Karen Elson, Derek Blasberg, and Kate Lanphear stood amongst the notables. Mosshart added, “My 8-year-old niece Goldy appears in this show a lot. I’m obsessed with her; her photos hang all over my studio. I’m surrounded by this young, wild, fearless person who has no interest in being anything but herself, at the loudest volume, at the fastest speed, without an ounce of concession. She falls in love with something new every 10 minutes. Such a wonderful thing to do. To me, she represents primal instinct, living, breathing art. She didn’t seem the least bit surprised when I told her she was in a lot of my new paintings. She was like, ‘Duh. Wish I could come to New York.’” NO SLOW SONGS will be open to the public from March 28 through April 17 at the Nili Lotan men’s flagship store. 183 Duane Street, NY.We Almost Always Almost Win Funny Football Fan Shirt
To kick off Art Basel Hong Kong, The Peninsula hosted a magnificent party in celebration of the 2025 iteration of its acclaimed “Art in Resonance” program. In partnership with the Victoria & Albert Museum and Vogue100, the hotel welcomed luminaries from around the world for a night full of inspiration, creativity, and music. At the heart of the evening were three of the world’s most promising artists: Phoebe Hui, Chris Cheung (known as h0nh1m), and Lin Fanglu. Suspended before the hotel’s facade, Phoebe Hui’s Lunar Rainbow mesmerized arriving guests with its surreal allure. The enormous installation, by far the artist’s largest to date, features digitally printed aluminum panels adorned with fragmented lunar imagery from 17th-century drawings to contemporary open-source photographs. A complex lighting apparatus mirrors a moonbeam, the rare natural phenomenon, and invites reflection on the lunar inspiration throughout the ages.
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