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So, on Fancy That, PinkPantheress is reintroducing herself. Not as an entirely different musician, exactly, but as PinkPantheress 2.0—a little more refined, and a lot more certain of who she is. And it’s certainly an impressive leveling up from her (already excellent) debut album. Over the course of the mixtape’s nine tracks, PinkPantheress cycles through a head-spinning grab bag of references mined from the ’90s and 2000s: the Underworld-sampling opener “Illegal,” whose saucy double entendres could either refer to a secret romance or a beloved new drug dealer; the eerie “Nice to Know You,” which samples William Orbit to create a deliciously strange hybrid of Burial and the Sugababes; or the superb album closer “Romeo,” on which trip-hop rhythms are paired with exhilarating orchestral strings straight out of a Basement Jaxx house banger. (It turns out the duo behind Basement Jaxx spent a couple of sessions in the studio with PinkPantheress, and she also samples their track “Romeo” on “Girl Like Me.”)Owl Blood Spatter Is Red Luminol Shines Blue I Watch Enough Crime Shows Theyll Never Find You Shirt
That’s without even mentioning the one-two punch of the mixtape’s two singles: “Stateside,” which puts a Gen Z twist on Estelle’s “American Boy” with squelchy synths and clattering drums (the track was co-produced by The Dare, who shares PinkPantheress’s instinct for a pitch-perfect throwback), and the exuberant “Tonight,” which boasts one of the most addictive choruses in recent memory. “When I made ‘Tonight,’ I felt like I kind of figured out what I was trying to do here,” she says. Indeed, the album’s sound somehow fuses all these references together without feeling chaotic, or like pastiche. “I wanted to strike a balance between sounding more polished and mature, but still sounding like me, and still with a lot of that UK influence,” she adds.
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