Ohio Buckeyes Made Michigan Our Bichigan Quote Shirt
A few years out of art school, Milhazes started painting with acrylics on sheets of plastic; once the paint dries, she adheres it to her canvas. Finally, she peels away the plastic, leaving a reverse of the painted image. “This was an enormous opening for me,” Milhazes says. With this method, she has more control over the shape and placement of her motifs; the works are still painterly, but at a remove. Detail from a brush—a string of pearl-like dots, say—might be later applied, but the artist’s hand is elided by design. Not long after this breakthrough in technique, Milhazes was exhibited at the influential Carnegie International in 1995. From there her global career took off, with appearances at the São Paulo Biennial (1998 and 2004) and the Venice Biennale (2003 and 2024). She has branched out to other art forms as well: sculptures and stage sets for her sister Marcia Milhazes’s dance company.Ohio Buckeyes Made Michigan Our Bichigan Quote Shirt
“When she started as an artist in the early ’90s, traditional craftwork, like tapestries, weaving, they were considered women’s work, especially in Brazil, where everyone was looking to European modernism,” says Jessie Washburne-Harris of Pace, the gallery that has represented Milhazes since 2020. “Now, of course, craft has been embraced by the art world, and I love that that’s always been a part of what she does.” Steadfast and enchanting, like the city that made her. “Seduction” was the maxim at Haider Ackermann’s first show for Tom Ford. His Fall 2025 read-to-wear debut for the house undoubtedly captivated with its sexy, elegant codes. “I hope I seduced you all,” he told press backstage. To further illustrate this sensual state of mind, there was a singular beauty muse: Tippi Hedren in Alfred Hitchcock’s The Birds. Lucy Bridge, head makeup artist, articulated this with diaphanous complexions set with retro but glamorous details to create a dual set of code-breaking beauty statements on the runway. For one set of models, Bridge took pastel eyeshadows in green, lavender, yellow, and blue to emphasize the eyes. It was quietly theatrical and playful. The other looks centered on dark red lips, a focal point on the beauty mood board backstage. Leading Ackermann’s charge too was Kristen McMenamy, a dark-lipped icon herself. In keeping with the collection’s aesthetic, the designer set a brief that the lip look should “make you want to be kissed.” Meeting Bridge backstage, she broke down for Vogue how to reproduce these “characterful and desirable” lips in three key steps.
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