Officials Sweat Navajo Love Heart Shirt
After stints in New York, London, and Paris, the third annual edition of Vogue World is taking place this weekend in Hollywood, paying homage to the role of fashion in film (and vice versa). As such, the starring roles this year belong not to actors and models—though, yes, all your favorites will be in attendance—but to costume designers and their work. Joining Nicole Phelps and Virginia Smith, Global Head of Fashion Network, on this week’s edition of “The Run-Through” is Arianne Phillips, a stylist and Academy Award– and BAFTA-nominated costume designer best known for her work with Madonna; Tom Ford’s A Single Man; Quentin Tarantino’s Once Upon a Time in Hollywood; and most recently A Complete Unknown, among many, many others.Officials Sweat Navajo Love Heart Shirt
2025 has been my year of high-altitude art. This summer I went to New Mexico for the relaunch of the Site Santa Fe International, then to Colorado for the Aspen Art Museum’s inaugural AIR Festival. Having been raised in Florida and based in New York for the last 15 years, my body struggled to acclimate during these short press trips. But when I was invited to visit Eden, Utah’s Powder Mountain, a “skiable outdoor art museum” with a base elevation just shy of 7,000 feet and a summit elevation of nearly 9,500 feet, the chance to explore Utah’s storied, 12,000-acre ski resort—and its headline-making, art-centric transformation—seemed too good to pass up. This past winter I survived the misery-months by reading all five volumes of Virginia Woolf’s diaries. Many things happen in those diaries but the event that’s seared into my mind involves a new hat. It’s 1926 and the diary entry begins this way: “This is the last day of June & finds me in black despair because Clive laughed at my new hat, Vita pitied me, & I sank to the depths of gloom.” Oh, Virginia, girl—I feel you! The shame of wearing the too-big thing or the overly shiny thing or the thing that’s just wrong in every way for the occasion… We’ve all been there. And yet it had all started so well for Virginia: out on the town, on one of those free-wheeling London summer nights, heading to multiple parties with Vita Sackville-West, picking up friends along the way—and wearing this hat. Interestingly, she doesn’t tell us exactly what kind of a hat. We only learn that she was feeling neither one way or another about it, until she bumped into her sister, Vanessa—wearing a “quiet black hat”—and together everybody headed to the house of an old friend, the art critic Clive Bell. It was there that disaster struck: “Clive suddenly said, or bawled rather, what an astonishing hat you’re wearing! Then he asked where I got it. I pretended a mystery, tried to change the talk, was not allowed, & they pulled me down between them, like a hare; I never felt more humiliated… So I talked & laughed too much. Duncan prim & acid as ever told me it was utterly impossible to do anything with a hat like that… Came away deeply chagrined, as unhappy as I have been these ten years.”
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