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The other aspect of her creative identity that has always got people talking? Her delightfully low-key style: a nostalgic ode to Y2K dressing that prominently features wrap cardigans, shoulder bags, and that classic going-out fashion formula of “jeans and a nice top.” It’s equal parts girl you knew from your hometown high street and—as some fans have affectionately observed—department store floor manager. (Fashion writer Rian Phin astutely termed PinkPantheress’s more authentic Y2K look—as opposed to the glitzy, high-octane version that has dominated the runways over the past few years—as “the true-thousands.”) For her Fancy That era, she wanted to stay true to that spirit, and reflect how she really wears clothes in her daily life. “I actually think I dress very normal—I just don’t dress in a way that people think a pop star should dress,” she says. “One thing about me is I don’t do glam. I don’t know how to do glam. I don’t look good in a long dress or anything skimpy, and I don’t feel comfortable in anything sexier. I just haven’t realized that in myself yet—I think I’ll get there, but I’m still growing. So pretty much everything you see me wear is what I wear all the time.” Including, she explains, the tartan pattern that recurs across the mixtape’s visuals—and which, true to form, she’s wearing on a tank top when we speak. “Aesthetically, I led with that pattern, which ended up leading into some other British motifs—you’ve got some telephone boxes here and tea parties. The real word, I’d say, is kitsch. I tried to make it as kitsch as possible.”Official The Voices In My Head Keep Telling Me To Go To Georgia Shirt
Just take the video for “Tonight,” which sees PinkPantheress cavort through a stately home in a Marie Antoinette-worthy ruffled gown and stacks of pearls, the ringleader of a raucous house party—she describes it, accurately, as Bridgerton meets Skins. “I’ve just always really wanted to dress up like that,” she says, laughing. She also notes that the song and the video reflect the more self-assured state of mind she’s in now. “I’ve written so many songs about love, but a lot of them in the past have been from a mindset where the ball is in the other person’s court and I’m the one left in the lurch. Whereas with this one, I wanted to be like, No, I’m the one in control. You need to come to talk to me.”
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