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In a 1970 profile on La Casati, the cultural historian Philippe Jullian asserted that “in Paris in 1912, the Marchesa was Poiret’s best customer.” In November, works from Martine were exhibited at the Autumn Salon and Vogue was there. “The rotunda was lined with all sorts of gorgeous panels, wall-papers, draperies and cushions from Martine’s. To the initiated, this is really Paul Poiret exploiting his fondness for strong, rich color and bold design, through the medium of his ‘Martine’ shop.”Influenced by the Weiner Werkstatte, Poiret established a workshop for decorative arts where underprivileged would be trained. He called it Martine, after one of his children. Vogue took note, writing: “certainly couturiers have never before insisted that chairs, curtains, rugs, and wall-coverings should be considered in the choosing of a dress, or rather that the style of the dress should influence the interior decorations of a home. Such, however, now appears to be the case.” Also named after one of his children was Rosine, a perfume business, which, asserted Sir Francis Rose in a 1969 Vogue essay, “was effectively the first designer perfume brand, one that prefigured Chanel’s No 5 by a decade.”Nice Trace Amounts New York City Logo Shirt
Poiret designed a wired lampshade tunics as costumes for Jean Richepin’s play, “Le Minaret.” It became à la mode despite the fact that, as Vogue acknowledged, “it is, of course, unfitted for human nature’s daily wear, and indeed was never intended for that.” Vogue published “Poiret on the Philosophy of Dress,” in which the designer said: “If you wish to know my principles, I would say that they consist of two important points: the search for the greatest simplicity, and the taste for an original detail and personality…. To dress a woman is not to cover her with ornaments; it is to underline the meaning of her body, to bring it out and magnify it; it is to envelop nature in a significant contour which accentuates her grace. All the talent of the artist consists in the manner of revealment.”
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