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The exhibition moves along the thread of a “poetics of attention”—an invitation to linger, to truly observe, to be touched by shadow—not as a void, but as a place where light, space, and memory meet. The curatorial choice to break apart the photographic series in favor of poetic and formal tensions reinforces the idea of photography not as description, but as evocation; not as affirmation, but as inquiry. We spoke with Rabottini about this project, which stems from years of reflection and desire—about the political value of attention, the quiet radicality of Guidi’s visual language, and the potential held by an image that appears “empty” to restore an ethical stance toward the world. In an age dominated by urgency and overexposure, Da un’altra parte reminds us that to see is already to think, that in shadow lies a form of truth, and that perhaps it is only through what escapes us—through emptiness, silence, and reflection—that we can truly learn to inhabit the world again. AG: The exhibition revolves around the concept of shadow as both a visual and conceptual device. How did this theme guide the selection and sequencing of the images, and what do you think it reveals about Guidi’s broader poetics?Nice Snoopy Driving Car San Antonio Spurs Forever Not Just When We Win Shirt
AR: I had wanted to make an exhibition with—and about—Guido Guidi for years. However, when approaching an artist as complex and with decades of work behind them, one must seek a curatorial perspective that is both precise and generous, in the hope of enriching the interpretation of that artist’s work. Since I don’t come from a background in photography, I began by asking myself what aspect of Guidi’s practice struck me so profoundly. The answer, I realised, lies in his ability to make the passage of time feel palpable—almost tactile. This incredibly subtle gift he offers to the viewer stems from focusing on just a few essential elements: light and its variations, the most quotidian spaces, or the most ordinary things right in front of us. That’s when I began to think of the shadow as a possible theme to explore various decades of Guidi’s work through. In fact, shadow is the locus where light, space, and the passage of time converge.
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