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The exhibition is composed of shadows and reflections, of partially obscured human presences, of glimmers and fragile traces. Even the title Da un’altra parte (“Elsewhere”) hints at something that has passed, that we may have missed, that is already somewhere else. AG: You’ve written that Guidi’s work asserts a “poetics of attention”—a beautiful expression that seems to suggest a form of resistance to today’s distracted gaze. What does “attention” mean to you today, in the context of photography and curating? AR: I believe we are all, at once, victims and perpetrators of a paradox: we demand attention without being able to give it. If we observe certain stylistic choices in contemporary photography, notwithstanding the risk that any generalisation entails, we see that a large portion of the images we are surrounded by, from advertising to social media, are conceived to grab attention rather than offer it. The opposite happens in Guido Guidi’s work: his photographs occupy a kind of “discreet” space in our perception—they could almost go unnoticed. They don’t clamour for attention; instead, they appear committed to offering it to the most humble objects, to the simplest spaces. This generates something quite special: the viewer is given a chance to redeem their gaze, to step outside a regime of continuous seduction that so often governs our looking.Nice Deep Inside Armwrestling Hook Technique Shirt
As for me, more simply, I’d say that curating an exhibition or a catalogue is inherently tied to a form of attention—it’s built on a selective gaze. That gaze has a purpose: to offer what we believe is worthy of being seen, hoping that it may also capture the attention of others —and perhaps even history itself. Curation, then, becomes a form of preservation born from admiration, from the desire to care for what moves us. You’re right to speak of “resistance,” because I truly believe that attention, especially today, holds a powerful political role: it pushes back against cynicism, the erosion of cultural values, and the extractivist position we too often take toward things, the environment, and each other. A society begins to lose itself when it stops paying attention to things, gestures, and postures. We should keep in mind what Simone Weil wrote: that attention is “the rarest and purest form of generosity.”
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