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As the Cannes Film Festival returns this week with its usual whirlwind of photocalls, premieres, and parties, the French Riviera festival will also be the backdrop for some major style moments. But before all that, immerse yourself in some epic Cannes pictures from the ’90s—from Grace Jones holding court at an after-party to Naomi Campbell shutting down the red carpet like only a supermodel can. Cameron Diaz in louche tailoring on the beach in Cannes. She was at the festival to promote her breakout film, The Mask. Though the Cannes Film Festival is known for many things, its archaic dress code has become a talking point in recent years. Since its beginnings in 1939 in response to political interference in the Venice Film Festival—a veto from Benito Mussolini and Adolf Hitler prevented the French war drama, La Grande Illusion, from winning that year—Cannes has billed itself as Europe’s premier showcase for cinema. Set against the backdrop of one of the French Riviera’s most famous resort towns, its rules about dressing stem from the eveningwear norms for guests at the luxury hotels and casinos that line Cannes’s streets. For men, a jacket and tie were standard, while the expectations for women involved high heels and long dresses.Nice A Mothers Arms Are More Comforting Than Anyone Else Shirt
In 1946 when the festival launched officially (World War II resulted in a seven-year gap between inception and opening ceremony), the highly regulated approach to after-hours dressing wasn’t unusual. Still, even in the early days of Cannes, there were rule-breakers. Never one to adhere to conventions, Pablo Picasso enjoyed a screening of Henri-Georges Clouzot’s The Wages of Fear in shearling. Tropic of Cancer author Henry Miller served as a juror in 1960 but refused to alter his wardrobe, ejected from screenings due to his lack of a dinner jacket; Miller proved his style was as nonconformist as his writing. Each decade a new group of red carpet rebels comes to the festival and decides to do their own thing. There are the fashion absurdists (French comedian Colouche ditching the tux for a playful drag moment with Beatrice Dalle in 1986), the heel averse (Kristen Stewart ditching her Louboutins at the premiere of Blackkklansman in 2018 in deference to the dress code), and even the occasional nudist—you try telling Cicciolina she ought to cover up.
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