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Desert of Namibia proclaims the 28-year-old, Nagano-born Yamanaka as a singular voice among the newest generation of filmmakers. The follow-up to her 2017 coming-of-age drama Amiko—which she dropped out of college to direct while still in her teens, making her the youngest director ever at the Berlinale—the film won the FIPRESCI award at last year’s Cannes Film Festival Directors’ Fortnight (where she was the youngest woman winner). Yamanaka came up with the concept in 2022, galvanized by the #MeToo movement sweeping through Japan’s film industry and the experiences of close friends. “It made me not want to create films based on people’s sacrifices,” she says. “Celebrating those films is not something I want to take part in.”I Live On The Corner Of Funny Street And Silly Road In Crazy Town Which Is In Psycho Valley In A Twisted State Of Mind Shirt
She also sought to depict her generation’s sense of hopelessness—and the complacency among those even younger. “Those born in Japan after 1995 have had no hope in society since they were born,” Yamanaka asserts. “We’re a generation where the future is getting darker and darker and a sense of stagnation is the norm. But even worse, the younger generation accepts everything and has given up. There’s no despair, they don’t complain, and many don’t even think about fighting against it. I think they could express more confusion and chaos, more unwillingness.” Thus, the erratic main character is a sort of Holden Caulfield in a bucket hat with a septum piercing. “It’s not like Kana’s trying to be that way, but that’s the only way she can be,” the filmmaker explains. “I felt like showing someone who expresses those negative emotions could have a positive impact.”
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