Pax Unplugged 2025 Show Shirt
We might turn to philosopher Kelly Oliver, who argues that witnessing must move beyond passive observation to what she calls response-ability—the ethical imperative to respond. This is precisely what Let’s Talk About Rape enacts. It demands not only that we look, but that we bear witness in a way that affirms the subjectivity and agency of survivors. The project also echoes literary theorist Cathy Caruth’s reflections on trauma—that it is not simply an event that has passed but one that returns, insisting on being heard. In giving visual and textual form to that return, Brontē creates a structure through which trauma can finally find a listener. Her work holds space for what Caruth describes as the mind’s delayed awakening to the knowledge of trauma—a knowledge that is always belated, fragmented, and deeply embodied.Pax Unplugged 2025 Show Shirt
Photography here becomes more than medium—it becomes method, protest, catharsis. The self-portrait, traditionally a tool of self-fashioning, is transformed into a space of reclamation. As Susan Sontag wrote, “to photograph is to appropriate the thing photographed.” In Brontē’s project, this appropriation is reversed: the subject takes back authorship. There is also a historical urgency to the work. From Bosnia to Rwanda to Ukraine, rape has been used as a weapon of war—a strategy of domination, humiliation, and ethnic terror. The silence that often follows these atrocities compounds the violence. Brontē’s work intervenes in that silence, insisting on the visibility of survivors not as victims, but as narrators.
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