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Last summer, Bucky Grant hosted a visible mending workshop in Denver, a community event to teach people the art of fixing their own clothing, particularly in ways that don’t disguise the repair. This can mean using patches or colorful thread, small statements that let people know you took the time to extend the life of your clothing. The event was so popular that the 28-year-old fiber artist made it a regular happening, hosting monthly “stitch and bitches,” tapping into the long-lived practice of gathering like-minded people to engage in their craft of choice (that’s the stitch part) while they talk, gossip, or trade skills (that’s the bitch part). While mending your own clothes is a valuable skill, it’s also one Grant sees as inherently political, particularly when the mending is visible to others.He Loves My Showgirl Style She Loves My Redwood Christmas Shirt
“The act of repairing things and sewing is a radical act by refusing to go along with fast fashion,” Grant tells Teen Vogue. They dislike the amount of clothing waste fast fashion encourages, and the subpar or exploitative labor conditions some companies use to make it. “There’s not a piece of clothing on earth that was not created by a human in some capacity. Refusing to fall into the trap of throwing anything away as soon as it’s inconveniently broken [is resisting].” Grant’s politically-motivated stitch and bitch is part of a legacy, one many people today aren’t aware of, or don’t take seriously. Though they’re often thought of as “granny hobbies,” fiber arts like knitting and sewing have long been a political tool, used to leverage social change or to make political statements in protest. Today, stitch and bitches are having a revival, attracting people young and old who come together to practice their chosen craft. Just like those in the hundreds of years before them, today’s stitch and bitch groups are deeply tied to political change.
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