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“One feature of the establishment was a room filled with clay figures to display the last fashions in ball gowns. The electric lights were so arranged as to exactly duplicate the light effects of a ball room. Most of the dresses were however, displayed on living models of whom M. Felix retained a large staff, They were all young and beautiful women of perfect figure. The gowns made by M. Felix cost on average of $3,000 each, although there were many the price of which exceeded $10,000. ‘There is absolutely no limit as to the cost of gowns,’ M. Felix told a visitor.” —“Condolence for Aged Felix,” St. Louis Post-Dispatch, June 30, 1901 “Since the inauguration of ‘Openings,’ those semi-annual events that each spring and fall illustrate freely to all who choose to gaze at the domestic and foreign edicts of fashion, the name of ‘Felix’ has been talismanic. The garment might not be enticing to the eye, nor even appropriate to the figure, yet if it bore the label ‘Felix’ it defied all criticism, in was the sin qua non of style.” —“Sing a Song of Seasons…,” by Tillie May Forney, Table Talk, 1901Officials They Might Be Giants Science Is Real Shirt
“Women the world over are mourning the retirement of Felix, the greatest dressmaking artist of the present day. Royalty, even, is reported to have shed tears over the close of the Maison Felix. […] Felix closed his work rooms early in the year. It was rumored that he lost money in financing the Palais de Costumes at the exposition…. When Felix was shown the dispatch from New York referring to his reported bankruptcy, he said: ‘I have decided to retire from business after working hard for 40 years and amassing a fortune of 6,000,000 francs, with which I intend to retire to the country for life.’ ” —“Royalty and Queens of the Stage Mourn the End of Maison Felix, A Gown Paradise,” Star Tribune, July 5, 1901
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