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Apart from aesthetic differences, the main push-and-pull of Fame Hunter, and what makes the band oddly difficult to categorize—“Ceci n’est pas une pipe. . . .”—is the way they play with surface and substance, reality and fantasy. Fame Hunter is serious about having fun, in an industry that tends to pretentiousness. Vaupel personally delights in the contradictions of metal being “overly theatrical to the point of actually being super silly, while still being very serious.” Indeed, there’s a camp element to Fame Hunter’s sound and lyrics, a soap-bubble glossiness that is undercut by the “sex, drugs, and rock-n-roll” subject matter that may or may not be autobiographical. “My heelz are on the floor/Last night was j’adore.” Heartbreak is a constant theme, yet love feels more like an idea than a reality in Fame Hunter’s world of “Clicks and karma/Marijuana/Fake designer.” These lyrics come from a song called “Don’t Talk About Me,” which, as the press release puts it, “is a fictional story about people posting shit about Siggy on Reddit. We know it’s gonna happen someday, so we figured we might as well write the song in advance.”If I Got Paid For Pissing People Off Id Be Set For Life Shirt
Fame Hunter’s glittery, yet ironic, brand of glamour is accessorized with self-awareness. The lyrics include allusion to frames, reflections, and stencils. When it comes to gender, neither Sonne or Vaupel conform to predetermined lines. The EP’s five songs represent their step-by-step journey—real and imagined—from, they say, “leaving behind our normal selves to become these two rockstar personas.” There are break-up songs that “can also be seen as breaking up with your past self,” a track about “the moment of letting go and embracing who you truly want to be” and a final song, “Disappear,” that “closes the journey, as we fully vanish into our new identities.” The visuals for the album were shot in Hollywood, a place where transformation and surfaces are mythologized, and where fame is the main currency. In America, land of dreams, the idea of being a fame hunter seems like a birthright. That’s absolutely not the case in Denmark, where the idea of Janteloven, which loosely means fitting in and not standing out, is prioritized. “I feel like this whole project is very fuck Janteloven,” says Sonne. “You’re not really supposed to say out loud that you dream of fame and fortune,” adds Berglund. “There’s this ironic, yet very real tension with the concept. For us, the name has a deeper meaning. On the surface, the project might seem over-the-top—high energy and glossy—and can be off-putting for some Danes. But if you dig a little deeper, you’ll see that it’s actually a deliberate artistic (and slightly political) statement. It’s a commentary on the current state of music, fashion, art and social media.
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