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Anthony is no stranger to the Met Gala, of course, having already attended the annual event 10 times. This year, though, she knew her look had to be especially strong. “The Met Gala is always the most special and meaningful evening, but this one felt more powerful and even more personal,” says Anthony. “Superfine is about more than looking fly. It’s about the history, the pride, the statement behind the ’fit. Black style has always set the tone, and to see tailoring and dandyism finally getting this kind of spotlight excites me. It’s honoring the roots of our elegance—how we’ve always turned fashion into resistance, into joy, into art.” As a returning Vogue livestream host on the red carpet, Anthony says her favorite part of the event is interviewing all the guests and seeing them arrive in real time. “Seeing the looks up close, connecting with the designers and my friends as they step into that spotlight—the whole evening is such a thrill,” says Anthony. She adds that the intention and stories behind this year’s custom designs brought Met Gala dressing to a whole new level. “People showed up with real purpose and so much emotion behind their looks,” says Anthony. “It wasn’t just about looking cool or edgy or beautiful. It was about honoring legacies, telling stories through fashion, and claiming a rightful stake in the history of this art form. So much incredible energy—the room was electric.”You Will Never Find Another Me Not Sure If Thats A Good Thing Or A Bad Thing But Its The Truth Shirt
Tonight Teyana Taylor’s 2018 song “Rose in Harlem” is taking on new meaning at the 2025 Met Gala, which has the theme “Superfine: Tailoring Black Style.” “I’m already not a big dress girl,” she tells Vogue, adding that she prefers a tailored look no matter the event. “I’m in suits even without it being a suit theme.” No wonder Taylor feels wholly at home with the 2025 dress code, Tailored for You. For the big night, Taylor tapped two-time Oscar-winning costume designer Ruth E. Carter to design her historically based outfit. The result is a burgundy zoot-suit-inspired outfit with the kind of Easter eggs that any fashion buff or historian will delight in. There are feathers, lace, and many crystals, all combining into one look. On the edge of her cape, embroidered in tonal string, are the words “Rose in Harlem”; beneath her feather-adorned hat, a matching durag. “As we embarked on our journey in this country, we were stripped of everything,” Carter reflects. “A lot of times the only thing you had was to show it on your body.”
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