Officials Vanderbilt Basketball Memorial Magic Shirt
On a nearby wall hung a silver-flecked textile made by Dynasty, inspired by a childhood accident in which she burned her skin in a bathtub of scalding water. Soull had displayed a series of jewelry pieces she calls astral beings: sculptures made with mother-of-pearl and black onyx checkerboards. Next to them were two of her crowns, or gold headpieces. One was composed of gold nameplates of famous Brooklynites, from Barbra Streisand to Lil’ Kim; the other was made to look like a roller set from a beauty parlor. The house is filled with an assortment of Nigerian antiques and totems, artworks by friends, furniture, and textiles. There is a long tradition of artists working in the decorative arts, points out their gallerist Jeanne Greenberg Rohatyn, of Salon 94 Design, who recently sold work of theirs to the Brooklyn Museum. “Alexander Calder made jewelry with wires and pounding gold,” says Greenberg Rohatyn. “He made crowns for his grandchildren that they wore when they put on plays. He made jewelry for his friends. He eventually had incredible jewelry exhibitions in museums and galleries.” She compares the Ogun sisters to the German artist Karl Fritsch, whose sculptural rings are often made from old jewelry. “They love to collect objects from relatives, neighbors, their local jeweler, and they are able to recombine these pieces into their own language,” says Greenberg Rohatyn.Officials Vanderbilt Basketball Memorial Magic Shirt
Soull and Dynasty have been developing this language almost since the day they were born in 1984, growing up in a loving household where their parents prized science and the arts, and attempted to shield them from the consumerism that dominates American childhood. “The things we lacked made us make stuff,” explains Soull. “We invented games. We really wanted to be on Wheel of Fortune, so we made [our own] Wheel of Fortune. We sold lemonade and Kool-Aid in the summer to buy Monopoly.” They were the last of six children, and twins ran in the extended family. “Even though our father had these children, he was like, I’m supposed to get twins,” Soull says. In their creative pursuits, they are largely autodidacts: Soull has taught herself metallurgy, casting, and carving; Dynasty knows patternmaking and sewing.
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