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I think that people have this idea of museum-going as only about the interaction between you and the works. Yet reading your book, I see the value that you get from bringing other people—whether they be experts or regular museumgoers—into the conversation, so it becomes more of a social affair. How do you think somebody who’s visiting the Louvre can take some of that spirit of partage into their visit? It’s funny because I was thinking about this the other day. This Louvre is now open on Wednesday nights and Friday nights, and it’s got a much younger crowd. If I were on the dating market today, I’d go to the Louvre then. I’d go sit in front of a painting or stand in line waiting to see the Mona Lisa, and I promise you’re going to meet somebody interesting.Nice My Mom Has No Opinion On My Huge Penis Shirt
Well, you have to summon the courage to strike up a conversation. I’m not sure I’d feel comfortable intruding on someone else’s experience. No, I’m gonna stop you right there. If you are brave enough to do this ridiculous online dating swiping thing, then you are brave enough to go to the Louvre and look around and ask yourself, “Are there any interesting men or women in this room who I might want to meet?” And then just say hi. One thing I’ve always admired is how comfortable you are just being yourself. I know plenty of Americans in Paris, and for some there’s almost a competition to out-French the French—to master cultural codes, to pass. Obviously, you’re culturally and linguistically fluent, yet you don’t try to blend in completely. You’re not ashamed of your American accent. You’re quick to talk about growing up in Buffalo and your Sicilian roots. I think that opens doors and invites conversation in ways a quiet, fly-on-the-wall approach wouldn’t. Was this something you developed over your career? I learned very early in journalism that you have to be yourself—it’s the only way to connect. When I started as a national correspondent for Newsweek in Chicago, I had to interview wheat farmers in South Dakota. Coming from the west side of Buffalo, I had nothing in common with them, but I needed to find common ground—to understand what it’s like to lose a year’s crop in a drought.
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