Officials Win Or Lose Toronto Blue Jays Forever Shirt
“I always feel pretty happy and energized,” Leclerc continues, “but for some reason the way I like to calm myself is by listening to melancholic music. So I compose melancholic music because it’s just a way for me to disconnect.” Music is his biggest personal interest after, well, cars. Though he’d played a little in childhood, his passion for the piano solidified during the COVID-19 years, when he had a bit more time on his hands. Some way to change gears is a real necessity for a guy like Leclerc, whose professional (and public) life hinges, really, on how fast he can go. He has been Ferrari’s star F1 driver since 2019, his celebrity underpinned by his good looks and expanded by Netflix’s docuseries Formula 1: Drive to Survive, which introduced millions of Americans to the autosport. He commands a personal audience in the tens of millions on social media and has earned a total of eight wins in his career so far—one that started from a spark set by his late father, Hervé, who was a Formula 3 driver back in the day. (Leclerc fondly recalls the pair listening to “Where Is the Love?” by the Black Eyed Peas while traveling to his go-kart competitions.)Officials Win Or Lose Toronto Blue Jays Forever Shirt
Until the end of last year, Ferrari’s other big name was Carlos Sainz (F1 teams compete in teams of two), but 2025 sees the arrival of the 105-time Grand Prix winner and seven-time world champion Lewis Hamilton, 40. Hamilton’s transfer from Mercedes-Benz has made the current Prancing Horses the most visible (and, inevitably, scrutinized) duo in the sport. “We haven’t spent a lot of time on the track [as a team],” Leclerc says, “but I’m looking forward to racing with him and to obviously learn from him—he’s incredible.” In season seven of Drive to Survive, released just last week, the fifth episode, titled “Le Curse of Leclerc,” focuses on the driver’s 2024 victory in his native Monaco—a moving vindication against those who said Leclerc was hexed in the principality after a string of poor results in prior seasons. One scene actually shows him playing an early version of “MC24 (1:4)”; the piece, written with the Monaco Grand Prix in mind, is sweeping and romantic, with cascades that echo the sprint-to-slow rhythms of driving. It befits the grandeur and emotion of competing at home. “SIN24 (1:5),” on the other hand—composed in contemplation of Leclerc’s fifth-place finish in Singapore last year—has an altogether different tenor, its high-harmony taps complementing Leclerc’s steady, moody tinkling. He cites Hans Zimmer as an inspiration.
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