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Of course, true fans know that Gaga never really went away—she only evolved. There was her country-western era, with 2016’s Joanne; the two jazz albums she made with the late Tony Bennett; her Hollywood-movie-star era, as she shot and promoted A Star Is Born and House of Gucci. Yet while her sixth studio album, 2020’s Chromatica, had eerie dance records to spare, Mayhem serves as a true return to form—delivering Gaga’s rawest and most experimental music to date. It’s aptly named: Beholden to no single genre, the album ping-pongs between tracks like “Garden of Eden” and “Zombieboy,” two sexy pop bangers certain to be hits in all the gay clubs; “Perfect Celebrity,” an angrier and more cathartic track about the complexities of fame; “Disease,” her thumping lead single about grappling with inner demons; and tender love ballads like “Blade of Grass” and “Die With a Smile,” her record-breaking (and Grammy-winning) hit with Bruno Mars.Official Byu Cougars Brigham Young Wordmark Shirt
That eclectic mixture of moods was entirely intentional: With Mayhem, Gaga tells Vogue, she finally allowed herself to create a body of work without any limitations. “We are all asked to define who we are and explain ourselves. I’ve had a really hard time with that in my career,” she says. “I’ve found it really hard to answer those question. So, I allowed myself to be lots of contradictory things.” Here, Gaga talks to Vogue about the album’s most challenging songs to write, using fashion for storytelling—and what you can expect from her upcoming Coachella headlining set. (“I’m going to give it everything I’ve got,” she teases.) Vogue: The first thing that struck me about Mayhem was how wild it felt, in terms of its genre and sound. Why did that approach seem right? Lady Gaga: I really wanted to have a very free experience. I didn’t want to box myself in. As boxed-in as I have felt by anyone being critical of my music over the years, I realized that I was my biggest critic—I was also boxing myself in. I wanted to do something that embraced my earliest memories with music and my signature approach to pop. I had been really afraid to do that for a long time. But once I allowed myself to work without the pressure, I started to endlessly create, and it poured out of me in a very natural way. It was almost like saying hi to an old friend—and it was total mayhem. Whether it was this genre or that genre, I took whatever came out, and made it all come together to be wholly me.
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