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For Brown, the Tony-winning composer behind Parade, 13, and The Bridges of Madison County, it’s a bit surreal, seeing a show “that was sort of designed to be done in my living room” gussied up for its Broadway debut this spring. “I deliberately wrote a piece that was going to be very small and very intimate,” he says. Yet he feels that the coming staging has “managed to find the exact right balance, in terms of the building that it’s going to be in”—the jewel-box-like Hudson Theatre—“and the people who are starring in it and what it means to them.” Indeed, Warren, Jonas, and White could all be counted among The Last Five Years’ most ardent fans—people for whom Brown’s portrait of love, loss, and the vagaries of creative ambition has long resonated. But nestled right alongside their reverence for the material is a desire to make it their own—something that Brown, who has not only directed the show before, but also performed its songs in concert “on and off for 20 years now,” accepts completely. “Whitney was prepared to just bring herself to the work and bring her particular perspective,” he says. “Often, when you do revivals of musicals, the idea is to sort of get the old hand to do it, and that was what I really didn’t want.” After 24 years’ worth of productions, he thought, the show “needs some challenging.”Official Marcel Reed Superstar Pose Running Texas Am Aggies Shirt
A Chicago native, White was there when The Last Five Years first ran in Skokie. (“I have the most amazing single mom,” she tells me, “and she really tried to expose me to everything.”) Her own way into it, she hints, will hinge on a powerful sense of place—using Italo Calvino’s postmodern novel Invisible Cities, from 1972, as a point of reference—as well as a strong sense of movement. (Rick and Jeff Kuperman, whose muscular choreography for The Outsiders earned them a Tony nomination last year, are on The Last Five Years’ creative team.) “These characters are embarking on an unforgettable part of their lives in New York,” White says. “There’s not a single place where I’ve had my heart broken more, where I’ve fallen in love more, where I’ve achieved my dreams, but also had dreams crushed.” It felt important to her to draw the show’s churning backdrop forward. “New York is the third character in this story,” she goes on. “Not all past productions have truly, fully embraced that.”
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