Official Miami Hurricanes 2025 Cotton Bowl Helmet Playoff Quarterfinal Shirt
A one-day sale filled with items donated by top designers, models, fashion houses, and more, plus a corresponding online Vogue Shopping edit curated by friends of Vogue If you are interested in exclusive early access to the Vogue Vintage Market, please email vogue_events@vogue.com to inquire. Anyone and everyone is welcome! The Vogue Vintage Market is open to the public. Registration and a $25 donation are required via the Vogue app. RSVP now! All the proceeds from the sale will go to the Entertainment Community Fund, supporting people impacted by the LA fires. When, in 2013, The New York Times sounded a call for stories from fans of The Last Five Years—a show with music, lyrics, and a book by Jason Robert Brown—the responses were many and deep. The fleet musical had recently been revived off-Broadway and its devotees wrote of the way its story—about the painful dissolution of a marriage between two artists—had helped them parse their own relationships. Others reflected on some of the regional productions that followed its 2001 world premiere in Skokie, Illinois, starring Norbert Butz and Lauren Kennedy, and directed by Daisy Prince. (A movie adaptation with Anna Kendrick and Jeremy Jordan would expand the fan base in 2014.) Never mind that critics had never gone mad for the show. (“Novelist and an Actress Sharing a Leaky Boat,” read the headline for Ben Brantley’s tepid review in 2002, when The Last Five Years opened in New York.) Brown’s score—spanning pop, Latin, klezmer, and more musical vernaculars—remained, as one admirer put it, “an actor’s dream, a pianist’s dream/nightmare, and a director’s heaven.”Official Miami Hurricanes 2025 Cotton Bowl Helmet Playoff Quarterfinal Shirt
The narrative structure nods a little to Betrayal, a little to Merrily We Roll Along: While one character goes through his side of things in chronological order, ending where the marriage does, his partner’s storyline moves backward, concluding with their first date. (The device doubles as metaphor: As Brown has summarized it, The Last Five Years is about “two people who, really, except for one moment, are simply never in the same place. They just cannot connect.”) Despite sharing the stage throughout, it is only during their wedding, in the middle of the show, that the couple interact. Now, a good 25 years after it was written, The Last Five Years is getting its maiden run on Broadway, with Adrienne Warren playing Cathy, the promising young musical theater actress floundering in summer stock, and Nick Jonas as Jamie, the driven young writer hurtling toward literary stardom. Whitney White (Jaja’s African Hair Braiding) directs.
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