Official Oregon Ducks Doaf O Nike Logo Shirt
It’s major. It’s huge first of all to see that what we’re doing is being recognised, because we work really, really hard. We’re not a lot of people. It’s literally like me, my mom and a seamstress in the atelier, and then I have a wonderful team. No one is full time, but they treat the job like they are. So it’s really nice, I think, for everyone to get that validation. Number one would be securing full-time employees. Then, we can finally start expanding on our communications and marketing. We could also finally open e-commerce, which would be really important for us, because we need to diversify from wholesale. I’m from Tullamore, County Offaly, Ireland. I started my brand officially in 2021. I started the brand as I am really interested in subverting the sort of clothes all women can wear — and working on the structural issues of how the industry can shift in that direction. I’m deeply inspired by craft, and the connection between embellishment and construction. I went to the Isabella Blow x Philip Treacy exhibit when I was 13 with my dad, and fell in love with the drama and emotion of the work. I started making my own pieces almost instantaneously.Official Oregon Ducks Doaf O Nike Logo Shirt
For me, it’s always production. I face challenges working with factories as I have multiple sample sizes per style, and this is not the norm for the industry. I think it’s an issue that can only be tackled together. We need collective action across the whole industry, from design to production to retail. I can’t wait to make my pieces more available for the women and community I love, and design for… so this would be my laser focus if I won! In Japan, the shortage of skilled artisans due to an aging workforce is becoming a serious issue. As a result, emerging designers with limited production volumes are finding it increasingly difficult to create high-quality garments. Currently, I run my brand alone, so I would like to hire staff and nurture the next generation of designers. Additionally, given the declining number of artisans, I aim to establish my own factory to ensure a stable production environment. I’m Steve O Smith, a London-based designer exploring the idea of making my drawings on paper into wearable garments. I developed this practice while studying on the MA at Central Saint Martins in 2020 We make drawings. That idea is reflected both in the way we approach our creative process and also in how we interact with our customers, which is on a made-to-order basis. My favourite piece is a striped tunic we made using tulle and crepe de chine appliqué on organza to recreate the mark making of a tonal wet ink drawing.
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