Officials Merrier With A Martini Christmas Shirt
After leaving Marni, Francesco Risso indulged in extensive travels, and he’s now working on a project he’s keeping strictly under wraps. Speaking about the FTA designers, he said: “One of the things that struck me was how everyone was so focused on craft, in a way you don’t often see with younger designers. I loved seeing people truly invest time in their pieces, like this incredible designer spending fifty hours on her knits. That level of dedication is rare, and I really appreciate it. Especially in times like these, with so much confusion and instability, it was genuinely fulfilling to witness.” “One of the things that struck me was how everyone was so focused on craft, in a way you don’t often see with younger designers. I loved seeing people truly invest time in their pieces, like this incredible designer spending fifty hours on her knits. That level of dedication is rare, and I really appreciate it. Especially in times like these, with so much confusion and instability, it was genuinely fulfilling to witness,” said Francesco Risso.Officials Merrier With A Martini Christmas Shirt
For Calvin Klein’s creative director Veronica Leoni, the competition was a first chance to meet young talents from the Middle East: “I was deeply moved by how rooted they are in their culture and heritage,” she remarked. “What impressed me most was the strength of their regional identity. Even those who have studied abroad or gained international experience always return to their origins, shaping their vision and aesthetics in a deeply personal way.” After his bold and somewhat controversial first outing as Jean Paul Gaultier’s creative director, Duran Lantink took a well deserved breather to join this year’s event. “What I loved about this season,” he noted, “was that many designers were fully embracing creativity, without being overly preoccupied with the business side of things. And honestly, that’s exactly what fashion needs right now: voices proposing their own perspective, feeling free to experiment.” He added: “Each designer approached their tradition in a unique way, but what struck me was how seriously they all take it. They’re not just revisiting heritage, they’re translating it for modern times, and that’s what makes it so compelling.”
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